
Usually when I think about independent films I think low budget, inexperienced, messy and full of dialogue that is questionable, this however just shows how much the big movies can hypnotise and cram us full of nonsense.
I have now watched a multitude of independent films that have surprised and delighted me, with a professional look and the obviously talented contributors having done an amazing job. Though one stand out film for me is Fairview St from Rebel Pictures, it is by far one of the best independent films I have ever had the pleasure of viewing, and that is my honest opinion. I may not have seen many, but easily enough to know when heart and soul have been pumped into the production. Who needs the big budget when you have determination?
Filmmaker Gavin White explores the past and present of London's Speakers' Corner, dubbed "the single best known place for free speech on the planet." A native Australian, White has just moved from Melbourne to London to work as a producer on "The Media Report", a show for European Business News when he discovered the Speakers' Corner phenomena. 
From word go Broken Dreams tells you in the title that it's going to be an emotional movie that suggests depressing themes. When I first read the title I was prepared for a film that centralised around a broken home or failed relationship, but these genres are merely background noise to the unexpected darker subjects that are tackled within this beautifully executed production.

First film, first award. Jeremy and Jesse Ververka, two brothers who produced and directed "China: The Rebirth of an Empire", won the FAN award for best documentary at the first annual Astoria-Long Island City Film Festival last week. The festival, which ran from Oct 22-24th, had a successful launch. Film lovers turned out to see documentaries, feature films, short films, and super short films. There were also script readings and panel discuss

It may be possible that no one loves Brooklyn more than Jason Cusato, a 35-year old Park Slope movie maker, who makes films about his borough to capture its ever-changing charm.
“I try to make films about the Brooklyn that practically doesn’t exist anymore,” Cusato says. “The borough has changed so much and I want people to remember what it used to be.” Jason Cusato got his start at the School of Visual Arts when he helped to shoot a documentary The Aid to Church in Need about a lower Manhattan congregation.
Familiar Voices: A Reaction to the Crisis in Darfur
Over 400,000 dead. 2.5 million displaced. A genocide that most of the world ignores. Darfur, a place many sympathize with but rarely think about is brought to the spotlight in the riveting documentary Familiar Voices by Danny Mendoza.
When his L.A. life and his second marriage fall apart, Frankie Razzini, a guy who likes to roam about, comes back to the Bronx to understand what he had done wrong in the past. In his wallet he carries a picture of his first love, and deep in his soul a bitter remorse, and perhaps a secret. He meets up with his best friend Eddie in the old pub they had once favored and strikes up a conversation with Brenda.

When his L.A. life and his second marriage fall apart, Frankie Razzini, a guy who likes to roam about, comes back to the Bronx to understand what he had done wrong in the past. In his wallet he carries a picture of his first love, and deep in his soul a bitter remorse, and perhaps a secret. He meets up with his best friend Eddie in the old pub they had once favored and strikes up a conversation with Brenda.


JWB. What was the inspiration behind your feature film Fairview St?
MM. Fairview St. is my first feature film as a writer/director. It took me years to write. Through that process I hit every possible stage of writer's block. I didn't write from any autobiographical place, but I did pull certain story ideas and situations from people that I knew. That combined with a vivid imagination and a love for classic films helped be gear the look, feel and tone to the film. I wanted it to to be a modern day noir story. Following the lines of a true noir: "wherever the protagonist goes, fate is tripping him up."
JWB. And what inspired you to become a film maker?

JWB: Where did the inspiration for such a tragically themed story come from?
DC: Well first of all, I wanted to do a character driven story about love, friendship and addiction. With flawed characters that you could still love, much like our real friends and family. My co-writer Jeff Wallace is a recovering alcoholic. A point that he made very clear to me about addiction is that addicts usually hurt the people that love them much more than they hurt themselves. That was the main message that we wanted to come from the movie. And also it could be a cautionary tale.

Trapped inside the endless labyrinth of doors, walls and floors, Niamh (Mary Woodvine) and her two children hide from the poisoned world outside where one cannot survive without wearing a respirator. Niamh keeps the maps of their black and white maze on paper scraps she sticks to the walls, and she follows their directions in the light of the unevenly flickering electric lamps, which, strangely enough are still working.

This insightful, intelligent documentary which runs just under 59 minutes, is directed by Meghan Shea and co-produced with Michael Rogers. This film is really a video education program. In it, cameras are given to youngsters in 3 schools as disparate as one can image. One of the classes is from Lungtenzampa Middle School in Thimphu, Bhutan, about as far away from the United States as one can get.

Elena Beloff, a graduate of the New School University where she had studied film production, wanted to make movies since she was a little girl in her hometown in Tatarstan, Russia. When she was in high school she came to the USA as an exchange student and returned later to pursue her dreams. "Filmmaking is my passion. I chose it because I can communicate my vision, beliefs and love for art through film."

Astoria/LIC International Film Festival is proud to present Polygamy, a clever, thought-provoking full-length feature film by Hungarian director/producer Dénes Orosz, in which he explores the ever-controversial subject of polygamy from the surprising angle of what would happen if someone's coveted wish was miraculously fulfilled.